A day

Superb exhibition – Panic Attack! – Art in the Punk Years. It was full of reflecting surfaces and I just couldn’t resist. Here is co-viewer Mr Hg in a picture I called “bigfoot”

bigfoot

but he feels would be better named “bigfoot, small tits”.

Quite why I felt the necessity to place myself in various of the photographs on display I don’t know. Homage? Yes, let’s call it homage.

Here I am with a man who took pictures of himself in an Arthur Rimbaud mask.

shot

In fact that, in common with this and this, is merely a jeu d’esprit. The homage comes here:

in nan's hair

Yup, pretty opaque I know. But it’s actually this self-portrait, Nan One Month after Being Battered by Nan Goldin. I love this picture. The blood and lipstick, the bruises and the curls. Defiance. Acceptance. Pain. Pride.

After rushing back and picking up the 2ndspawn from school we go round to friends for tea… F (a painter) and I talk of art, painting, photography, poetry. The tea gives way to wine. She has roses on her kitchen table.

kitchen table

She is painting a Rimbaud poem on the wall of her studio. All of it.

As I descended Rivers undisturbed
I sensed the haulers no longer steered me:
Howling Redskins took them captive, nailing
Them naked like targets to painted poles.

I was carefree of all or any crew,
Freighting Flemish wheat or English cotton.
When that racket with my haulers had done,
The Rivers led me wherever I wished.

Through the rippling fury of tides,
Last winter, emptier than childhood’s mind,
I ran! And Peninsulas let slip
Have not brought down more triumphant hubbub.

The tempest has blessed my sea-borne wakings.
Lighter than a cork I danced on the waves,
Those rolling beds of the eternal dead,
Ten nights, no thought for dull-eyed harbor lights!

Sweeter then, I’ve been bathing in the milky
Way, in star-steeped Poem of the Sea,
Ravenous green azures; where sometimes a drowned
Man drifting by, rapt, pale and pensive, goes down.

Where, tinting all at once the blue, the slow
Delirious rhythms of the day’s rosy glow,
Stronger than alcohol, vaster than poetry,
Ferment the freckled red bitterness of love!

I know the heavens cracked by lightning, surfs,
Waterspouts and currents: I know the night,
And the Dawn exalted like doves in flight;
I’ve seen sometimes what men thought they saw!

I’ve seen the low sun, smeared with mystic awe,
Lit with violet congealing fingers,
The rolling waves, like actors in old plays,
Their shuttered shivering so far away!

I’ve dreamt the night green to the dazzling snows,
Kissing to the sea’s eyes climbing and slow,
Unheard-of juices’ flow, blue and yellow
The waking of singing phosphorescence!

For months I’ve followed hysterical herds
Of surf surging and crashing on the reefs,
Without dreaming Mary’s luminous feet
Could force back the panting Ocean’s muzzle!

I’ve jostled incredible Floridas,
You know, mingling flowers with the panther’s eyes
On the skins of men! Rainbows stretched like reins
To the seas’ limits, gleaming doves of grey!

I’ve seen enormous bogs fermenting, snares
Where in the reeds a Leviathan rots!
Waterfalls crashing in the midst of calms,
And horizons tumbling into chaos!

Glaciers, silver suns, pearly waves, fiery skies!
Hideous wrecks in the depths of dark harbors
Where giant serpents devoured by insects
Drop with black perfumes out of twisted trees!

I’d shown these Eldorados to children,
Blue seas, these golden fish, those fish who sing.
– Flowering foams have cradled my driftings;
Ineffable winds gave me timely wings.

Sometimes the sea, wearied martyr of poles
And zones, whose sobs had me gently rolling,
Raised her yellow cupped shady blooms to me
And I rested, like a woman kneeling…

All but an island, I sideswiped quarrels
And the turds of clamoring blond-eyed birds,
And I sailed, while through my fragile rigging
The drowned fell back, descending into sleep!

Now I, in the ringlets of back bays lost,
A boat in the birdless air, storm-tossed,
The Monitors and the schooners of Hanse
Wouldn’t salvage my water-sloshed carcass;

Free and fuming, decked with violet fogs,
I who pierced the blushing sky like a wall,
Bearing solar fungus and azure snot,
The exquisite jam of all good poets,

Who ran, spattered with electric lunettes,
Planking warped, black seahorses in escort,
While the hammering heat of these Julys
Beat fiery funnels out of sea-blue skies;

I, who trembled fifty leagues off, hearing
Behemoths in rut, gross Maelstroms moaning,
Eternal spinner of motionless blues,
I miss the Europe of ancient ramparts!

I’ve seen atolls full of stars! and islands
Whose fevered skies are open to drifters:
– Exiled in these deepless nights do you sleep,
Countless golden birds, O future Vigors? –

Too true, too many tears! Dawns of heartbreak.
Each moon is cruel, and every sun bitter:
I’m swollen with harsh love’s drunken torpor.
O let my keel burst! Let me go to the sea!

If there’s water in Europe for me
It’s the cool, dark pond at balmy twilight
Where a child squats full of sadness, launching
A frail boat like a butterfly in May.

Bathed in your languors, O waves, no longer
Can I clear the wake of cotton freighters,
Nor pass through blazoned flags and banners’ pride
Nor pull beneath prison hulks’ dismal eyes.

I want to make things.

links for 2007-06-25

Cold potatoes and turkey

The former are good for the bowel. The latter is not advisable in the case of anti-depressents.

Why then have I abruptly stopped taking my medication?

No pills for a week, a chemical half-life of 36 hours. This means 94% of the active ingredient has left the bloodstream. So far I’m not noticing any obvious changes other than noticing that I’m noticing. No SSRI discontinuation symptoms popping up, no worsening of existing “symptoms” which also fall under discontinuation effects.

So far so good, but arriving at this point without conscious planning is, now it has my full attention, a bit strange. I’ve been told several times by different medical types that it’s unlikely I’ll ever not need at least a “maintenance” dose and I’ve been quite untroubled by the thought of life-long medication. Far, far, far rather that than illness.

I wonder whether it’s my experience of the efficacy of mindfulness and meditation which is behind this. Not as blissed-out alternative to reality (although the very rare moments of samadhi, blissful ultra-reality, are a fantastic incentive to keep going) but as a toolkit for living, weathering the “stings and sorrows” of life, as this NYT article memorably terms them.

Or of course it could be driven by something as trivial as the desire to lose weight, in which case a healthy dose of exercise would be a far better option.

Today was the first day when I consciously didn’t take the pills rather than apparently simply forgetting. I’m interested to see what happens next. But they’re still safely in the cupboard (so the cat, who finds the rattling noise they make irresistible, doesn’t play with and accidentally ingest them) ready to be popped should the need arise.

When I was one

I had just begun

bubbles!

Bernard has just begun, as of today. It was very exciting, and had bubbles. As well as real live frogs.

“This is the best party-bag I’ve ever had” said secondborn on the train on the way home. And also “those weren’t the really scary sort of babies, you know.” Firstborn merely announced that his alien was better than the smiley, which is basically as good as it gets with a nearly teenager.

Neither of them has stayed six for ever and ever. Nor, I suspect, will Bernard.

The promo and the computer algorithm foot-shooter

Where did I first see this linked? I can’t find it again. Anyway, there’s a video on YouTube called Prometeus – The Media Revolution which I hied off to spend quite some proportion of my life watching because of my dodgy connection speed which makes such viewing more time-consuming than I should like.

And what is it? A ho-hum resumé of the rise of digital media followed by a snore future projection with a strange and distractingly Italian-accented voiceover and good captioning. Also available in Italian, Spanish and Japanese.

There’s a link on the uploader’s YouTube profile to a web page containing the same video with a Technorati link tracking blog linkage. Turns out it’s the product of an Italian company called Casaleggio Associati run by Italian internet analyst Davide Cassaleggio which…

defines the structure, purpose and implementation path for sustainable and profitable business models for the use of the Net and identifies web marketing strategies through the study of the target of reference, the message to be conveyed and the channels to be used.

Amusingly YouTube’s “related” box, which automatically offers other material the search algorithms determine might keep the viewer on the site, throws up Prometeus – The Media Revolution part 2 (the actual title of which is EPIC 2014 *) which is a similar resumé-projection exercise but made back in 2004. Much is made in both videos of the “computer algorithm” sifting through the infoverse to produce personally tailored diet of infonuggets.

So here we have what appears to be a new media consultancy group using the medium and methods it expatiates upon in a viral marketing campaign but having its efforts to appear hip, happening and ahead of the curve subverted by the very mechanisms it purports to offer analysis of and advice about harnessing.

Why subverted? The video they have produced, Prometeus, shares the same time-line present-to-future format as EPIC, has a similar but not as strong dystopian flavour and has as its title the name of an imagined sinister monopoly internet content harvester/masher/distributor. It’s difficult to imagine that one did not influence the other, but can the makers of Prometeus have wanted the comparison to be drawn? or not imagined that it would be? Additionally the accuracy or otherwise of the predictions made in EPIC for the years between 2004 and now (well on the way to 2008) is easy to evaluate and the major and unforeseen developments which have taken place show how labile and exciting the internet and digital media are.

Viewing the two videos side-by-side only serves to make the more recent offering look derivative and lacking in credibility. And it’s not nearly as compelling or well made.

One point it does illustrate very clearly, though, is that the old adage it’s not what you know it’s who you know still holds true since not everyone making rather unremarkable videos predicting the future of the media is able to harvest feedback via sites such as Richard MacManus‘s Read/WriteWeb and from thence forth into the linkage of the mega-hitters. This video really isn’t as interesting as they all seem to think it is. However their goatfuck is.

* Yes, I know it’s actually the slightly updated version called EPIC 2015 but things are already complicated enough aren’t they. Comparing the changes between the two versions is interesting, but beyond the scope of this already byzantine post.