This via Mind Hacks. If you go to Jenn Ackermann’s project page you can see related interview material and photographs. It’s awesome. She also has a blog which has some interesting insights into her work.
I love Jenn Ackerman’s powerful combination of still and moving images together with audio. It reminds me of an award-winning woman photographer I came across a year or so ago who was documenting crack addicts in, I think, New York by putting audio of interviews together with slide-shows of incredibly intimate black and white images. I failed to make a note of who she was and where I found the work and have never been able to find it again. Most annoying. It had taken her months of living in the community and gaining trust to get the material and it showed.
Whilst (again, fruitlessly) searching for it I found another interesting-looking photography-related blog – (Notes on) Politics, Theory & Photography. Reading the archives and cruising through his blogroll should keep me occupied for quite some time. Although I like a nice flower picture as much as the next person (perhaps excessively so) it’s the socially-engaged and innovative which really gets me going. I wish I could make things like that. I also wish I could clean the house or tidy my room or sort out the garden or cook a meal and those are probably of more pressing need.
Still feebly, enfuriousmakingly fragile. But better than previously, which is good.
One of the thoughts I sometimes attempt to comfort myself with when I’m in terrible, unbearable pain is that I can kill myself when the children are older and have left home. Because then it won’t matter. I remember a fellow student at university whose mother killed herself when we were in the second year, shortly after my brother died I seem to recall. It was, I seem to remember, greeted with a certain amount of relief. She had been ill for years and made previous attempts. The family’s attitude seemed to be that she was at peace after a long struggle with a terrible illness which brought her immeasurable pain and had, no doubt, been a ‘mare for everyone else to live with.
Fresca’s mother, as you will have gathered if you watched the video above, shot herself. At an advanced age. An event which did not leave her daughter unmoved. And gave me considerable pause for thought.
I do wonder whether this had any influence on the particular ideation of my subsequent bout of suicidality which involved making elaborate plans to rehome M on the grounds that nobody would look after her after I was dead and it would be better to ensure she had a good home to go to myself. M is of course an extremely potent symbol for me existing as she does entirely to provide me with the unconditional love and affection I’ve lacked from adult humans. However I now wonder whether there was also a sense in which I wished to get rid of her in case she somehow stopped me from dying, like Flike did his owner in the film.
But this of course is very unfair. It makes me angry. I am trapped. How long, how far, must I endure this terrible pain? I am sure that there comes a point when it is too much. When there is no bearing it any longer. I was interested to read recent research which shows emotional and physical pain are processed in the same part of the brain. I’ve had a couple of babies, double pneumonia, walked round on a broken leg, knocked my front tooth out, all without so much as an aspirin. None of this is even in the same town, let alone the same ball-park, as the pain of depression.
So there is a delicate equation. Given that I love my children and want what’s best for them I have to try my best to stay alive. But how far is it reasonable, practical, to expect that to go on? If there was a visible, physical co-relative of the pain – if I was on a hospital bed with intolerable untreatable burns, for instance – it might be easier for others to accept the decision that death would be a gift. But there is no visible commensurability.
Thus it was that I found myself, children despatched to bed, holding a blade over my upper arm ready to etch the words “I want to die” in my flesh. Because the physical pain would distract from the emotional pain. Because it would be, in some small sense, that visual co-relative even if seen only by me. I have, it probably won’t be much of a surprise, self-harmed in the past but not to the extent I was then contemplating.
I didn’t do it. Thanks, M, for pushing your face into mine, for licking my cheeks, for refusing to go away. A terrier is perhaps a self-harmer’s best friend as well as provider of answers to central existential questions. I feel better now. I wouldn’t be mentioning it if I was still suicidal.
I know people are supportive and loving and empathetic and helpful, I know I am not alone, I know my children love and need me. However were I on the hospital bed with the burns this would be seen in a different context.
“Your life may not always be like this” says the shrink. Of course. Never say never. But it is, and it has been. And so I claim the right to end it. And I claim it for everyone whose pain, visible or invisible, is too great to bear.
A childfree weekend stretches ahead and I hadn’t sorted out anything to do, other than housework. Then this fell into the mailbox:
We need your help!!
We are filming a short film this Sunday (20th May) for Creative Routes, a mental health charity. The film will be screened at Bonkersfest! a free public festival in Camberwell on the 2nd of June. The film aims to broaden the awareness of mental health issues to the public, and to challenge the stigmas attached to those who suffer from mental illnesses.
For the film we need lots of different people of all shapes, sizes, ages, races and appearances to have their portrait taken, and that’s where you come in. You won’t need to act, just look straight into the camera for a photograph. We will need you for no more than an hour and a half in total in a location on Commercial Street near Liverpool Street Station and Aldgate Station.
If you can help us please email to confirm with your name, phone number and if you would prefer to take part in the morning or the afternoon to this address: waddiloverobert AT googlemail DOT com
We will then email you on Saturday with a more specific time for you to be there.
Please bring with you if you can 2 outfits, perhaps a smart and a casual one, including different layers with jackets/coats. Any accessories would be great also i.e. glasses, hats & scarfs, jewellery or your favourite hat.
Please please help us. It won’t take long and is for a good cause. Please also forward this on to all your friends.
Thanks a lot, Jack Cole, Sarah Tonin and Bobby Baker
LOCAL TRAVEL INSTRUCTIONS Saturday 19th May & Sunday 20th May 2007
Artsadmin
THE COURTROOM¹
Toynbee Studios
28 Commercial Street
London E1 6AB
Toynbee Studios is part of the Toynbee Hall complex at 28 Commercial Street
near Aldgate East in London.
Transport Links
By tube:
Aldgate East – District/Hammersmith & City lines – approx. 2 minutes walk
Aldgate – Metropolitan/Circle lines – approx. 5 minutes walk
Liverpool Street – Metropolitan/Circle/Central/Hammersmith & City lines –
approx. 10 minutes walk
By bus:
Number 67 stops on Commercial Street outside Toynbee Studios
Numbers 15, 25, 115, 209 & 254 pass the bottom of Commercial Street along
Whitechapel High Street
Numbers 40, 42, 78 & 100 stop at Aldgate
Numbers 8, 26, 35, 43, 47, 48, 78, 149, 242 & 388 stop on Bishopsgate
Numbers 11, 23, 42, 133, 141, 214, 271 & 344 terminate outside Liverpool Street Station
Since I’d spent some time last night moaning to an unfortunate involuntary interlocutor about the continuing stigma attached to mental ill-health and since I’m almost professionally mad it would be bonkers not to go. If you see what I mean. And there’s the added excitement of dressing up!
You can find out more about the organisation at Proud to be Mad.
I have a court summons over an unpaid fine for having an “unlicensed mechanically propelled motor vehicle”. Not opening the mail has these penalties unfortunately. And, while we’re on the subject, is there any other kind of motor vehicle apart from the mechanically propelled variety?
Anyway, I call the DVLA to ask whether a letter from my doctor saying I’m fucked in the head might alleviate their wrath. It is the doctor herself who, quite recently and also as it turns out quite rightly, suggested that her services might need to be called upon in this or a similar regard.
The woman at the DVLA says “oh if it’s gone to court we can’t do anything about it, BUT if you have a medical condition you know it’s your duty to inform us of it and if you’re fucked in the head we need to know about it and you must speak NOW to our medical department.”
And why? so they can take my driving licence away.
Great, isn’t it. £1000 fine (plus a large number of different costs) and no licence.
See, I knew opening envelopes was a bad thing to do. Shit like this leaps out and engulfs you.
And anybody, but anybody, who makes any suggestions about what I should have done and when I should have done it, well, um, please try to remember that it would NOT BE HELPFUL. And I might cry.