I’ve been away on retreat taught by Rob Nairn.
It was really hard work. And I feel much the better for it.

a negative capability scrapbook
Can’t. Resist. Black. Hole. Large. Hadron. Collider. Pictures. Sucking. In.
Oh what the hell. They’re incredible.
Click through to the full Big Picture series, and pay particular attention to the elegant accompanying text.
If that leaves you needing a primer, why not check this out for a particulate glossary:
CERN Rap from Will Barras on Vimeo
Trapped: Mental Illness in America’s Prisons from Jenn Ackerman on Vimeo.
This via Mind Hacks. If you go to Jenn Ackermann’s project page you can see related interview material and photographs. It’s awesome. She also has a blog which has some interesting insights into her work.
Through the sidebar I find a link to a multimedia presentation about oil in Nigeria’s Niger Delta based on a book – Curse of the Black Gold, from there to Talking Eyes Media.
I love Jenn Ackerman’s powerful combination of still and moving images together with audio. It reminds me of an award-winning woman photographer I came across a year or so ago who was documenting crack addicts in, I think, New York by putting audio of interviews together with slide-shows of incredibly intimate black and white images. I failed to make a note of who she was and where I found the work and have never been able to find it again. Most annoying. It had taken her months of living in the community and gaining trust to get the material and it showed.
Whilst (again, fruitlessly) searching for it I found another interesting-looking photography-related blog – (Notes on) Politics, Theory & Photography. Reading the archives and cruising through his blogroll should keep me occupied for quite some time. Although I like a nice flower picture as much as the next person (perhaps excessively so) it’s the socially-engaged and innovative which really gets me going. I wish I could make things like that. I also wish I could clean the house or tidy my room or sort out the garden or cook a meal and those are probably of more pressing need.
Still feebly, enfuriousmakingly fragile. But better than previously, which is good.
One of the thoughts I sometimes attempt to comfort myself with when I’m in terrible, unbearable pain is that I can kill myself when the children are older and have left home. Because then it won’t matter. I remember a fellow student at university whose mother killed herself when we were in the second year, shortly after my brother died I seem to recall. It was, I seem to remember, greeted with a certain amount of relief. She had been ill for years and made previous attempts. The family’s attitude seemed to be that she was at peace after a long struggle with a terrible illness which brought her immeasurable pain and had, no doubt, been a ‘mare for everyone else to live with.
Fresca’s mother, as you will have gathered if you watched the video above, shot herself. At an advanced age. An event which did not leave her daughter unmoved. And gave me considerable pause for thought.
Recently, partly I think in response to pictures of M on the beach, Fresca posted about a film, UmbertoD, in which a man was prevented from killing himself by the action of his terrier.
I do wonder whether this had any influence on the particular ideation of my subsequent bout of suicidality which involved making elaborate plans to rehome M on the grounds that nobody would look after her after I was dead and it would be better to ensure she had a good home to go to myself. M is of course an extremely potent symbol for me existing as she does entirely to provide me with the unconditional love and affection I’ve lacked from adult humans. However I now wonder whether there was also a sense in which I wished to get rid of her in case she somehow stopped me from dying, like Flike did his owner in the film.
Now even though I know that, inevitably, I’m fucking them up anyway, it mostly seems the case that having a mother that offs herself when you’re still living at home is probably worse than living with one that’s depressed.
But this of course is very unfair. It makes me angry. I am trapped. How long, how far, must I endure this terrible pain? I am sure that there comes a point when it is too much. When there is no bearing it any longer. I was interested to read recent research which shows emotional and physical pain are processed in the same part of the brain. I’ve had a couple of babies, double pneumonia, walked round on a broken leg, knocked my front tooth out, all without so much as an aspirin. None of this is even in the same town, let alone the same ball-park, as the pain of depression.
So there is a delicate equation. Given that I love my children and want what’s best for them I have to try my best to stay alive. But how far is it reasonable, practical, to expect that to go on? If there was a visible, physical co-relative of the pain – if I was on a hospital bed with intolerable untreatable burns, for instance – it might be easier for others to accept the decision that death would be a gift. But there is no visible commensurability.
Thus it was that I found myself, children despatched to bed, holding a blade over my upper arm ready to etch the words “I want to die” in my flesh. Because the physical pain would distract from the emotional pain. Because it would be, in some small sense, that visual co-relative even if seen only by me. I have, it probably won’t be much of a surprise, self-harmed in the past but not to the extent I was then contemplating.
I didn’t do it. Thanks, M, for pushing your face into mine, for licking my cheeks, for refusing to go away. A terrier is perhaps a self-harmer’s best friend as well as provider of answers to central existential questions. I feel better now. I wouldn’t be mentioning it if I was still suicidal.
I know people are supportive and loving and empathetic and helpful, I know I am not alone, I know my children love and need me. However were I on the hospital bed with the burns this would be seen in a different context.
“Your life may not always be like this” says the shrink. Of course. Never say never. But it is, and it has been. And so I claim the right to end it. And I claim it for everyone whose pain, visible or invisible, is too great to bear.
I can’t think of a better way to start, really, than with this:
This is satisfying on so many levels, not least of which is the self-knowledge which comes from the fact that I’m surprised and rather ashamed that I’ve never heard of Chris Abani before.
Also high on the list is the fact that it’s via Jeff, who’s a member of the lovely posse (and whose post has more interesting links).
It’s good to be here. Small, cosy, comfortable and out of the way. Radical pruning of dead wood. With unbounded thanks to the more than usually mercurial silver-fingered blog-gardner Mr Hg.
And, while I’m at it, here’s an explanation of franky:
I went back to the photo-portrait exhibition at the Tate Modern, puzzled about how two videos running for more than 25 minutes could be defined as a photograph, located the puny screen representing the public’s involvement, bought the catalogue and thought thoughts about the extraordinary twaddle (badly translated from German) therein. But actually why bother with any of that when there is this:
Just look at that light. Fan-bloody-tastic. Setting sun running west-east along the Thames. These two fishermen were absolutely delightful, as was their dog, a collie called Charlie, who was as rotund as they but had seemingly limitless energy when it came to chasing a small plastic bottle which he demanded be thrown for him at 40 second intervals. When I first sat down on the bench next to them they were having a long conversation with a Russian man who was bemoaning the near extinction of the sturgeon.
I had a pile of words silted on my hard drive. Mine, I thought, and yet not mine. Today I realised they were nothing more than the old rags of a dressing-up basket, second-hand finery and cheap bits of ribbon, make-do-and-mend for any occasion. They were no more than the ones and noughts of binary, the individual and the vacancy.
They are gone now, and my heart feels lighter.
From Shelley (who’s on it) a link to NxE’s list of the 50 most influential ‘female’ [sic] bloggers.
Fantastic to see Rebecca MacKinnon high up on the list citing her co-founding of Global Voices Online as the prime reason for her influence (although it would have been even better if they’d spelled her name correctly).
What really made me laugh, though, was a line in the entry for the similarly highly-ranked Stephanie Pearl-McPhee, aka Yarn Harlot about whom it is said “known as the “Knitting Sensei”, Pearl-McPhee might not be the most important figure to everyone”…. Uh, right. Whereas of course all the others on the list are?
I still take great pleasure in the fact that the biggest hit spike this blog ever received, by far, was not due to linkage from any A-list sites/bloggers but from a knitting-and-baking blog entirely unlisted on Technorati and similar arbiters of rank. “Influence”, so far as I am aware, is not a phenomenon confined to technology, gossip and politics.
From Shelley (who’s on it) a link to NxE’s list of the 50 most influential ‘female’ [sic] bloggers.
Fantastic to see Rebecca MacKinnon high up on the list citing her co-founding of Global Voices Online as the prime reason for her influence (although it would have been even better if they’d spelled her name correctly).
What really made me laugh, though, was a line in the entry for the similarly highly-ranked Stephanie Pearl-McPhee, aka Yarn Harlot about whom it is said “known as the “Knitting Sensei”, Pearl-McPhee might not be the most important figure to everyone”…. Uh, right. Whereas of course all the others on the list are?
I still take great pleasure in the fact that the biggest hit spike this blog ever received, by far, was not due to linkage from any A-list sites/bloggers but from a knitting-and-baking blog entirely unlisted on Technorati and similar arbiters of rank. “Influence”, so far as I am aware, is not a phenomenon confined to technology, gossip and politics.